Cover | Musician | Title | Comments |
---|---|---|---|
Linda Low | I Gave You My Heart | Somebody should goose her! She needs to sing louder. (Her voice is pleasant, but this is supposed to be dance music.) Meanwhile, the melody, lyrics, and arrangement are unimaginative and repetitive. | |
x | The Clarendon Hills | Basement Scratch | Good energetic punkabilly! Bass is suppressed for some reason. |
Sandra Tsing Loh | Pianovision | Solo pieces that seem almost improvisational. Her repeating of phrases or riffs remind me of Chick Corea. Harmonic hints of Debussy and Prokofiev. Loud passages and dexterous runs show off her solid technique. | |
Kai | KAI | Bleating vocals can't submerge the strong songs (one or two bonafide r&b hits), but do sink the weak ones (most of the album). | |
p.i.c. | hiphopunkfunkmamboska | Swarming with energy, they sound like mad bees. (It's the constant rappin'. Sometimes it works, sometimes it doesn't.) Perhaps the arrangements are a touch too busy, but this might do well as instant background party music. (Just add lotsa warm bods, low lights, intoxicants, and shake!) | |
Joe Bataan | afrofilipino (1975, Salsoul/CBS) |
lp from the archive | |
Susan Rhee | Susan Rhee and the Orientals (1984) |
12" single... 33 1/3 rpm | |
Takeshi Asai | Somewhere in the Universe | Mostly imparts a feeling of melancholly as the music swirls and shifts between jazz and new age | |
joss | billy hwang's roadside con | Eclectic in style. Various elements need reworking but there's enough promise in Ambrose Liu's songs and the band's sound to make a deep impression with this debut release. | |
eX-Girl | Big When Far, Small When Close | Mostly a capella with some percussion backup, this release marks a return of the trio to their origins as vocalists. While their voices aren't the purest (somewhat shrill sounding), the pieces explore pop-punk sensibilities with a certain sophistication. Influences from outer space, Bulgaria, and India can be heard. | |
Blake Chen | The Immigrant Song | Just an acoustic guitar and his quiet voice. His curious falsetto takes a little getting used to. The songs alternate from the mediocre to the insightful. | |
kim | kim | They rock. This ep shows that this all-female band is on the right track, with melodic vocals and driving rhythms. | |
Annie Lin | Math Pope | Most of the songs deal with varying emotions and relationships (not necessarily romantic). The literate lyrics are often deftly written and deserve to be coupled with better music and singing. (Also unsettling is the varying sonic quality from cut to cut.) Recorded at a sports bar, this performance has a liveliness that studio recordings can often lack. (Fortunately, no background noise of blaring tv's or drunken, yelling fans.) | |
Pacifics, One Voice, Mtn. Bros., Kai, 5th Platoon, I Was Born With Two Tongues, Mango Pirates, Visionaries, Devotion, Wisemen, Kid Koala, Lyrics Born, Jocelyn Enriquez, Mitsuo Downer Sounds | Plugged In 2 | mixed bag... mostly urban stylings (hip hop, r&b, dance)... standout is Key Kool's (Visionaries) "Self-Sufficient" | |
Flip Nuñez | My Own Time and Space (1976, Catalyst) |
lp from the archive |
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